Ideal-eye

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Ideal-eye

50 x 50 cm/ 120 x 120 cm

2023

《Ideal-eye》从拉康的“理想我”理论出发，探讨观看世界的方式。在这一系列中，我使用了“所有弧线都源自一个完整圆”的几何定理，通过手绘的方式绘制了无数大大小小的圆弧。这些圆弧经过排列组合，最终形成了不同角度的眼睛，象征着一种以几何形式理解世界的观看方式。眼睛不仅是观看的器官，同时也是机械美感和几何逻辑的体现。 作品延续了与《几何原本》的对话，质疑自然是否能够被完全标准化，人类行为是否能被完全逻辑化。这种微弱却深刻的反思贯穿整个创作，通过手绘弧线的细微误差展现出“理想几何”与“现实手工”的不可调和性。

Ideal‑eye is rooted in Lacan’s theory of the “Ideal I” and interrogates the modes through which we perceive the world. In this series, I employ the geometric principle that “all arcs derive from a complete circle” to hand-draw a multitude of arcs of varying dimensions. These arcs, when arranged and recombined, coalesce into eye-like forms viewed from diverse angles—symbolizing a mode of perception that interprets the world through geometric abstraction. The eye, in this context, functions not only as an organ of vision but also as an embodiment of mechanical aesthetics and geometric logic. Furthermore, the work continues a dialogue with Euclid, challenging the notion that nature can be entirely standardized or that human behavior can be completely codified through logic. The subtle yet profound discrepancies inherent in hand-drawn arcs serve to underscore the irreconcilability of “ideal geometry” with the imperfections of manual craftsmanship.